Ruisdael Vs. Monet :: essays research papers

Ruisdael and M iodintWhen unrivaled arrives in former of the Philadelphia Museum of Art, he or she may be surprised, as I was, by its grand entrance. Upon entering this large pillared building, one is almost overwhelmed by the immense collection. Although very extensive, the museum undoubtedly concentrates on the grouping and placement of photographs and sculptures indoors the building. Through chronological and thematic paths, the museum takes the viewer through and through the major contributors to the proficiency of art, from around the world. Separated by only a marble floor, the manner containing Salomon Van Ruisdaels Landscape with Cattle and an lodge, differs greatly from that of Claude Monets, Railroad connect at Argenteuil. These two paintings, when surrounded by the art of their contemporaries, create an environs for the viewer that parallels their original context.The halls of the Museum are set up in a long and slim rectangle with open doorways between all of t hem. The opening dormitory to the Dutch gallery is modest in its wooden paneling until one turns and enters the first room on the right. Beautifully creased wood panels, line the walls, bandage intricately carved panels hold the grand window directly crossways from the door. Rich in color, the walls make one feel very light in this intimate surrounding. The feel of the wood almost brings the viewer patronize to 17th century Holland. Reflecting off the V-shaped wood paneled floor, light flows through the window, illuminating the Dutch landscapes. A simple wooden throne sits against one wall, and a short dresser rests along the opposite wall. Instead of macrocosm labeled directly under or beside the painting, there are manifestly numbers which lead one to a book of descriptions. This groups the paintings together as one description of Dutch life, removing the initial need to find the nominate of the artist. Because the viewer is equal to(p) to view Ruisdaels Landscape with Ca ttle and an Inn through the doorway, even before they enter the gallery, he or she is able to recognize its importance. This painting appeals on many levels it is a history painting documenting Dutch farmers of the 17th century, it is a representation of northern European style, and it is a detailed depiction of life. The room itself, is a perfect match for the heady but simple colors and detailed brush strokes of the Dutch landscapes. The unilluminated wood walls shape the gallery into that of a living room in an old Dutch cottage.