Language in Wilfred Owens The Sentry :: essays research papers

Wilfred Owens The SentryTo me Wilfred Owens metrical composition is visually descriptive, so much so that he seems to be up to(p) to effortlessly transport you into whatever situation he is describing.This particular rime leaves you in no doubt as to the horrors of war and the terrible atrocities these pitiable men endured.In the opening line he says and he knew exploitation the technique of personalisation he has turned the massive opposing force into a single person, someone who was actively trying to single them by, to attack them personally. This shows you unspoilt how desperate they felt and how to them no matter where they seemed to find shelter he was never far behind. He goes on to say and gave us inferno for s perdition on frantic shell contriveed on top, tho never quite got through. By using the record book hell he is actively describing the terrible endlessness of their situation or the perseverance of the foeman and the fact that they cannot escape. enduring the onslaught, hour on hour, day by day. emotional shell the word frantic to me describes the non-target based shelling, as the opposition knew they that their enemy was somewhere in front of them, so just seemed to shell anywhere within that vicinity in the sure hope that they would be cause death eventually. The use of the rhyming words hell and shell automatically connects the two words in the readers brain, forming a community and reinforcing the idea of the battle being hell.Hammeredis also a very thought provoking verb apply in this line, this word used in this particular sentence is brilliant, it not only describes the noise, as you cannot hammer quietly, but describes the repetition, when hammering something you repeatedly strike it. Hammered is a convulsive verb and its two syllables makes the word sound short and harsh. In the following line, rain, guttering mountain this makes me think the guttering I have on my house, a purpose do moulded channel used to tra nsport water. He deliberately used this word to convey just how much rain had fallen that it had naturally moulded gutters out of the mud, channelling the slime and slurry into waterfalls. There is also assonance in this sentence emphasising the guttering (which I have already analysed above).Wilfred Owen is cleverly able to relate to you a exposition of a bomb without ever actually calling it a bomb.