Where Are You Going, Where Have You Been Versus Smooth Talk

The saying goes the only take issueence mingled with a tragedy and a comedy is the refinement. Meaning no matter how tragical or comedic a report card begins, the ending is what determines what type of account statement was told (thus what music genre it f altogethers in). This concept of endings is greatly exemplified through the comparison of the in brief story Where atomic number 18 You Going, Where Have You Been by Joyce Carol Oates and the film the story was establish on called legato Talk. Both works contain an abundance of similarities notwithstanding, cod to slight yet critical changes made, the twain stories become very una the equivalent in their underlying themes/genre.The two stories differ in aspects such as (obviously) the title, character traits (i. e. June), certain plot details and to the highest degree importantly the endings. They differ completely. The difference in endings change a evil story inspired by a real serial killer to a advent of age fi lm for the Ameri digest teenage misfire. The picayune story Where Are You Going Where Have You Been like all short stories is short The short story is a total of twelve pages long and begins with roughly a two page description on Connie and her family.The short yet informational scene helps the reader realize Connie is the typical fifteen course of study old girl whose main priorities argon the same as most fifteen year old girls need for attention, boys, and looks.. One day she doesnt listen to her family and decides to appease home instead of bonding with her family at a relatives barbeque.Connies fate begins its dark and bleak road when, like most horror stories, is home al superstar and a stranger comes to the house. The strangers name is Arnold helper and his intentions though unclear at first, become more and more translucent as the conversation between him and Connie unravels.Arnold talks in a whole t wholeness that is both alluring and vicious, he tells Connie inform ation abtaboo herself that undecomposed seems unsurmountable for him to know giving him the characteristic of a hellish creature that sees all ( like the devil). Arnold appears to have put Connie in a Dracula like dazed charm which makes her eventually get in his car where the story comes to an abrupt end. Though the ending is ambiguous, Connie is raped and killed by the monster Arnold Friend, or an old fiend (if one removes all the letter rs in his name).Though the ending is vague, it is still haunting and horrific in the counselling that an evil creature posing as a teenager targets/abducts a young girl, violates her then kills her. This story is every cites incubus and the scariest part about it is how achievable a heinous act like this is. The definition of horror is an overwhelming and painful feeling caused by something dreadfully shocking, terrifying, or revolting the ending of Oates short story does just that. The ending is gloomy, pitiful, and horrific which makes th is story a horror story.Like most horror stories a lesson is taught, if one lies to their parents and act naughty, theyll will eventually meet the devil. The Film Smooth Talk starring Laura Dern, revolves around the same characters from the story Joyce Carol Oates wrote about, but takes a different approach. Smooth Talk is a ninety bite film ground on a twelve page short story so its a no brainer that scenes were protract and added. The scenes that were prolonged/added do not focus on Oates Arnold Friend, but rather takes a more in-depth look at Connies family life.In the short story we are told certain characteristics of Connies family but, nothing more than that nothing to make the mother, commence or her sister June significant characters in the story. The story by Oates breifly touches on the subject of Connie and her mother not getting along, while the film ever revolves around this mother-daughter conflict. Smooth Talk chooses to focus and explore more on the dysfunction between Connie and her family (especially the one with her mother) rather than for example finding out more about the character Arnold Friend.After about an hour and ten proceedings watching Connies naive adolescent persona constantly creating fermentation in her house, are we then introduced to the films antagonist, Arnold Friend. The confrontation between Arnold and Connie go exactly as they do in the short story, with one big exception, the story doesnt end once Connie gets in the car. In Smooth talk, much like the short story, Arnold does indeed rape Connie, however, by and by he returns her home alive. Once returned home, Connies nave self focus on take on life seems to have been left in the cranial orbit Arnold molested her at.Connie walks toward the house where she is lovingly greeted by her remorseful mother apologizing for slapping her in an primitively scene. She has experienced the horrors of the outside world and realizes the good life and safety her family provides for her. The destruction scene in Smooth talk ends with Connie sitting in her room, not looking outside but, looking in. Then her sister June walks in, and instead of the two butting heads like they did throughout the entire film, Connie embraces her and they start dancing.What this nding shows is that the Connie from Smooth Talk, is no semipermanent wishing to be old enough to drive so she can leave her home. She experienced the harsh cruel world that Eddie from the foregoing diner scene was talking about.Most importantly is this ending is not sad or monotonic, it is happy and hopeful, the complete opposite of the story it is based on What Smooth talk ends up being isnt a horror story like Where Are You Going, Where Have You Been but, a story of a typical all knowing teenager who learns the hard way just how important family after she gets in a situation she cant smooth talk her way out of.Although Smooth Talk is based on Oates short story, by the end of each story and because of the end, what one has is two completely different stories. One story is for a parent to scare their daughter straight, the other is to remind them that in life no matter what, one will always have family.